Monday, June 4, 2018

More learning from cargo / Bhavesh Joshi

Cargo

Every shot has to be good or gold
Between close and long shot (pref take cinematic long shot)
But cool planned close ups add lots of storytelling bits in the film.
Do 3 level of shot breakdown/ first go through script in detail - just jot down layers
/second do the actual breakdown with overheads with a software / third do the final

Keep thinking on the set- the shots you improvised even when your chief ad scorned are adding lots of value so go with your conviction
Look for interesting triangular composition - you can hold longer
Study Kurosawa every month
Work with good actors over non actors


Work very hard on color palette and set design

Take a cinematographer with good lighting sense but also good shot taking sense

A good editor with neat perspective is required but not sufficient- u only have to wrestle though problems and identify beats. So I cannot relax.

One should not relax.



Bhavesh Joshi

Don't multitask - focus on your film and nothing else
Don't take marketing lightly
Get clarity on script and if self editing is going bad get a good neat purist editor.

Don't relax in any department. Be anal. Be a gunda



If your film is good, you are likeable. So dont have to be too agreaable. be anal. but not arrogant> GO FiguRE.

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